Redundant, broadcast-grade streams for events where a dropped feed is not an option. We have run a single-take national broadcast live for The New York Times.
What a comms lead or event producer gets when the stream simply cannot go down in front of a live audience.
Every critical system has a backup, from encoders to bonded cellular uplink, so a single point of failure never reaches your audience.
One production pushes simultaneously to YouTube, LinkedIn Live, X, Zoom, and Vimeo, so your audience watches wherever they already are.
A senior crew runs switching, graphics, and two separate audio mixes, one for the room and one for the stream, from a dedicated control area.
We rehearse the failure points, not just the show, so the feed works the first time and stays clean from open to close.
The New York Times took its flagship podcast live for the first time. Five candidates on stage, a sold-out theatre, and a national stream to YouTube, NYT.com, and social running at once, with no rehearsal.
Livestream production in New York is priced per event after a short scoping call. Cost depends on crew size, camera count, number of platforms, and redundancy level, and you receive a fixed, line-item quote before show day.
Yes. We push a single production simultaneously to YouTube, LinkedIn Live, X, Zoom, Vimeo, and more, managed as one clean feed from our control room.
We build redundancy into every critical system, including backup encoders and bonded cellular uplink, and we identify single points of failure in pre-production so they are removed before you go live.
Yes. We produce broadcast-grade streams at Manhattan venues including The New York Times Building and the Times Center, integrating with existing house infrastructure where it makes sense.
Simple single-camera streams can often begin within one to two weeks. Multi-camera broadcasts with redundancy and multi-platform delivery need more lead time for crew, equipment, and run-of-show.